Aghora - Aghora



1. Immortal Bliss (4:38); 2. Satya (5:55); 3. Transfiguration (5:14); 4. Frames (7:09); 5. Mind's Reality (4:22); 6. Kali Yuga (5:37); 7. Jivatma (11:22); 8. Existence (6:28); 9. Anugraha (4:41)

Total Running Time: 55:25



Aghora's debut transcends from being a mere record into trespassing the gates of spirituality, and amply demonstrating that progressive metal does not have to be confined to ripping Dream Theater off, as some bands would have one believe. In fact, one could link Aghora to the Mahavishnu Orchestra more than to the aforementioned stellar prog metallers, and even then it is a weak link at that.

What is so refreshing about the album is its entire approach: the lyrics are insightful and spiritual, but not heavy-handed; technique is prevalent throughout the album, but it doesn't smother the players' feelings and emotion; Danishta Rivero's singing is as beautiful as it is subtle, but it never slips into blandness; and the songs are full of texture and detail, yet remain songs. Even the absorbing jam "Jivatma," clocking in at 11:17, remains interesting and challenging throughout, instead of dragging on forever.

Among the album's highlights would have to be "Satya," "Existence," and "Anagruha," but the album's absolute masterpiece is the hypnotic "Frames;" with its trancelike harmony, its aggressive breaks, tasteful solos by Sean Malone and Santiago Dobles, and a gorgeous, melancholic ending. A superb album with Hindu influences all over the place, an intensely original sound, and truly virtuous instrumentation, Aghora certainly sets the stage for a bright future.

-by Marcelo Silveyra

back to top