
Marcelo:
  
Luis :
N/A

Released:
August 18, 2001
Style: Instrumental symphonic rock
Similar artists: Arsnova, Goblin, weird horror soundtracks
Record Label: Independent
Produced by: Hiroshi Aoki

Country:
Japan
Personnel:
Hiroshi Aoki - Electric guitar, electric sitar, guitar synthesizer,
keyboards, synthesizer programming, effects, v-drums
EI - Keyboards, synthesizer programming
XII - Bass, organ, keyboards
Rio - Drums, percussion, keyboards
Akko - Piano, keyboards, synthesizer programming

LASERCD@aol.com
(America,other)
blackwidow@tin.it (Europe,other)
info@ratspack.com (Japan,Asia)

Official
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Blazing Bronze - Death Collection (Limited Edition)

(Track
listing in Japanese) 1. Track 1 (1:36) 2. Track 2 (1:49) 3. Track 3
(0:44). 4. Track 4 (2:54) 5. Track 5 (1:24) 6. Track 6 (2:05) 7. Track
7 (1:09) 8. Track 8 (4:01) 9. Track 9 (2:14) 10. Track 10 (3:13) 11.
Track 11 (2:15) 12. Track 12 (1:07) 13. Track 13 (1:13) 14. Track 14
(4:00) 15. Track 15 (0:54) 16. Track (2:28) 17. Track 17 (1:13) 18.
Track 18 (6:11) 19. Track 19 (1:02) 20. Track 20 (3:01) 21. Track 21
(1:27) 22. Track 22 (2:59) 23. Track 23 (0:23) 24. Track 24 (3:43) 25.
Track 25 (2:03) 26.Track 26 (2:53) 27. Track 27 (0:52) 28. Track 28
(1:04) 29. Track 29 (1:31) 30. Track 30 (1:50) 31. Track 31 (1:36) 32.
Track 32 (2:13) 33. Track 33 (0:35) 34. Track 34 (2:09)
Total
Running Time: 69:25
Ok, if
I've written anything about ominous musical passages, threatening atmospheres,
and intimidating records in the past few months, it's only because I
didn't have a clue that it could actually get worse. If you're my age,
mix memories of playing Doom II at midnight with all the lights
out and your first childhood impressions of watching shock horror films
such as Friday the 13th and Nightmare on Elm Street, take
the resulting fright through the musty darkness and psychological madness
of Silence of the Lambs and Seven, and magnify it in a
darkly twisted mind. Give it all a soundtrack, and voila! You have Blazing
Bronze's second effort, Death Collection.
Much like its predecessor Dominion
of the East, the instrumental segments of this record are surrounded
by an oppressive atmosphere of evil that unleashes nightmarish melodies
and harmonies at every single step, with barely a moment of truce in
line for the frayed nerves of the listener. Occasional electronic drums
conjure the dark and dusty dungeons of a clever psychopath, keyboards
glide above like menacing crows or dive in with ripping melodies, a
weird acoustic guitar out of tune will conjure the twisted mental labyrinth
of death, and an undeniably catchy bass will suddenly grant a background
of alluring darkness to the whole. Except the instruments are not alone
this time around
No sir, this time around, these Japanese purveyors of darkness have
created an entire horror story complete with screams, maniacal laughter,
the sound of chains scurrying across the floor at midnight, and demented
special effects. A record of theatrical proportions, much like the soundtrack
to hidden secrets that should have never been discovered, Death Collection
is a record that further exploits the avant-gardism of this extremely
promising Japanese act by exploring the hidden confines of the occult.
It is thus that after an intense foray into the instrumental menace
of Blazing Bronze, the listener will be exposed to tracks that consist
only of weird noises, female cries, unnerving moans, and Lord knows
what else. Talk about on the edge.
Unfortunately for the average Western listener that doesn't speak a
word of Japanese (kind of like me), the entire track listing is in that
language and thus it's hard to really have a clue of what's going on
image-wise as the record progresses. It's certainly frightening though.
Musically, meanwhile, there is more than enough to keep the listener's
interest in what this band is going to come up with in the future, as
the instrumentals scattered across Death Collection are extremely
interesting in their inherent darkness influenced by jazz, classical
music, electronic instruments, and sense of space. Track twenty-four
is just brilliant, for instance, and leaves the listener breathless
after its grandeur passes by. Really recommended for all those that
seek something wildly different.
-by Marcelo Silveyra
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