
Marcelo:
  
Luis:

Released: March 5, 2002
Style: Psychedelic rock / symphonic rock / progressive rock
Similar artists: Radiohead, early and late Marillion, Yes
Record Label: Doone Records
Produced by: Tom Galgano Mixed by: Tom Galgano and Izz
_______ Mastered by: John Shyloski

Country: USA
Personnel:
Tom Galgano - Keyboards, vocals ______________
Paul Bremner - Guitars_ Brian
Coralian - Electric and acoustic percussion, drum programming
__ Greg DiMiceli - Acoustic percussion
__________ John Galgano - Bass, guitars, vocals


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Izz - I Move

1. Spinnin' Round (2:59) 2. I Move (5:25) 3. Weak Little Lad
(3:50) 4. I Already Know (3:56) 5. I Wanna Win (5:46) 6. All the New
(1:24) 7. Star Evil Gnoma Su (8:38) 8. Another Door (4:43) 9. Something
True (2:37) 10. Believe (3:33) 11. Knight of Nights (6:38) 12. The Mists
of Dalriada (2:42) 13. Oh, How It's Great! (4:47) 14. Coming Like Light
(11:40) 15. Light from Your Eyes (4:25)
Total
Running Time: 73:03
Perhaps one may run across small conglomerates of hopelessly radical
naysayers on the defensive across the world, but disregarding them in
an attempt to make a point, one must concede that it's relatively easy
to know what gets a good number of progressive rock listeners licking
their lips and setting their little voracious eyes on an album. And,
unfortunately in the opinion of this particular reviewer, sometimes
the formula is too predictable, repetitive, or diffuse, and nevertheless
gets people madly raving about it. A matter of taste, one could say.
If you find yourself a part of the madly raving, it is your immediate,
unavoidable, and surely enjoyable duty to get Izz's I Move. If
not, you might just want to read what's coming next.
The approach
core of Izz is ironically both its greatest strength and weakness, as
it is the band's principal element of surprise and unexpected change
and at the same time the principal lack of a coherent direction: the
will to use the relatively new psychedelic dreaminess of a Radiohead
at one point and then swerve into an extensive suite of classic symphonic
rock the next. And considering the gradual development of the progressive
rock community and its increased fondness for modern psychedelia, it
is doubtlessly a logical formula. Unfortunately, however, it doesn't
work all too well in this case.
Sure,
there are some incredibly great songs here and there with just enough
spice of originality to pique one's interest and spark a rapid-fire
goose bump invasion; especially the deliciously delectable mix of light
humor and almost playfully edgy attitude of "I Move," the gorgeous melancholy
and modern ballad sentimentality of "Another Door," and the better half
of the lengthy "Coming Like Light," which sees Tom Galgano taking the
spotlight in a dazzlingly tasteful piano performance with jazzy zest
and timely flair. What's more, the record moves ahead in perfect unison
and commendable quality until the initially absorbing but ultimately
forgetful dissonance of "Star Evil Gnoma Su" arrives, after which focus
is lost, shattered into a thousand fragments, and found but a couple
of times until "Light from Your Eyes" closes the work with a blessed
recovery of what makes this band tick.
But the fact remains that I Move is ultimately an affair that is often
too predictable and seems to grope blindly for a steadfast hold that
is never quite found. Not that the band does not have talent or potential,
as some of its material does indeed show a knack for melody and emotional
discharge that at points coalesces into truly memorable moments, but
there is still a long way to go for this New York act in terms of self
judgment and the threshing of good ideas. Furthermore, considering the
band's ability to create songs that fit the progressive rock public's
taste like a glove, there is no reason why things couldn't change really
soon. Hopefully they will.
-by Marcelo Silveyra
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