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Mantra
Sunrise - Mantra Sunrise

1.
Why(4:34) 2. Time of Year (6:07) 3. Brudenell (2:02) 4. Dying Day (6:38)
5. Sleeping Whales (5:12) 6. Northern Light (4:42) 7. Your Heart Acoustic
(1:34) 8. Your Heart (2:47) 9. Casino (4:56) 10. Land of Sprinagar I.
Master's Theme II. The Apprentice III. Spheres of Influence IV. Ethereal
Nature of God V. Telepathy VI. Return of Master (19:41) 11. Mantra Sunset
(2:34)
Total
Running Time: 60:47
Once upon
a time, the Earth was populated by a mostly carefree, dreamy, and tripped
out youth that most people referred to back then as hippies. These beings
wore the most disparately colorful clothing that humankind had ever
been able to conjure up, took their minds through ethereal planes of
wild illusion by means of hallucinatory drugs, and had one hell of a
time listening to a kind of music that was just as far out as they were.
In the meantime, among the drug-induced haze that thousands of kids
were grooving along to, the seeds of progressive rock were being sown
in the wake of psychedelia and extended jams, and others, such as legendary
trio Cream, were starting to explore realms that reached beyond the
normal domains of blues-influenced rock and roll and entered Eastern
sounds, folk-based tradition, and other new avenues.
More than thirty years later, the customs of this long gone race are
still to be found in our society, huge peace symbols plaguing the media
every once in a while, bell bottoms starting to come back for a moment
before disappearing again, and the odd youth going back to partake in
everything that once was identified as part of the Summer of Love generation.
Most of it, however, is nothing but commercialized nostalgia without
any virtue of integrity or authenticity. That's where Mantra Sunrise
comes in.
Yet another John Miner project, Mantra Sunrise is as close as one is
going to enter a time machine anytime soon, presenting a collection
of songs led by dreamy guitar arpeggios, hazy blues breaks, and folk
leanings that go back to a time when Eric Clapton was God. Imagine a
dusty room dominated by eclectic incense, Oriental tapestries, an audience
tripping out on acid, and a trio of musicians slowly swaying their heads
to the floating waves of sound that Miner's guitars send gliding through
the air, and the settings couldn't be more perfect. This is music that
truly goes way back, and yet avoids sounding like a cheap nostalgia
trip of no inherent value, in turn giving Mantra Sunrise an undeniable
credibility that each track of this debut is imbued with.
Well, not everything is shiny bright in this affair though, so wait
a second before you jump out of your seat screaming the gospel according
to Timothy Leary. The main qualm that listeners will have when listening
to Mantra Sunrise is one that seems to be the principal hindrance
of many a recent progressive rock record; namely its production. The
songs do indeed have a sense of sparseness that gives them an earthy
essence at times and a mysterious air at others, but they also sound
as if though they had been recorded in a rehearsal room with bad acoustic,
something that some people don't find great fault in and others regard
as a capital sin. Then there are Joel Bissing's often-opaque vocals,
which have a certain bluntness that unfortunately can never be truly
ignored. A real shame, as they are undoubtedly the weakest link in Mantra
Sunrise's dreamy world.
Even then, however, the band does become quite absorbing at times, especially
on the twenty-minute suite "Land of Springer," and the manner
in which it manages to evoke even the bleak acoustic passages on Black
Sabbath's first album. Sure, this is not a gala of virtuosi displaying
their best technical skills, musicians breaking the barriers of music,
or individuals ready to take on the world, but that was probably never
on the minds of Mantra Sunrise's members when they recorded this, and
the music is so authentic that it really doesn't matter.
-by Marcelo Silveyra
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