
Marcelo:
   
Javier:
   
Luis:
    

Released: September 18, 2001
Style: Alternative rock / pop / progressive rock
Similar artists: King's X, Tears for Fears, Elton John, Styx
Record Label: Inside Out America
Produced by: Nick D'Virgilio
Engineered by: Mike Johnson
Mastered by: John Cuniberti

Country:
United States
Personnel:
Nick D'Virgilio - Vocals, drums, guitars, bass, programming
Guest musicians:
Mike Keneally - Guitar
Bryan Bellar - Bass
Kevin Gilbert - Guitar, piano
Rick Mussallam - Guitar, background vocals
Alan Morse - Cello, guitar
Mike Johnson - Wurlitzer
Dave Carpenter - Bass
Ryo Okumoto - Piano


Official
Website
Official
Spock's Beard Website
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NDV - Karma

1.
The River Is Wide (7:12) 2. Dream In Red (4:35) 3. Forgiven (3:09) 4.
Karma (3:12) 5. The Game (4:07) 6. The Water's Edge (6:29) 7. Come What
May (5:11) 8. Untitled (3:26) 9. Will It Be Me (4:16) 10. Anything (3:55)
11-13. Paying the Price I. Dysfunction (4:32) II. Paid the Price (5:45)
III. Unknowing (8:45)
Total
Running Time: 64:26
No,
for crying out loud, this is not Spock's Beard! Alright, alright, so
it's Spock's Beard's drummer, Nick D'Virgilio, and it's his solo album,
but this is far from sounding even remotely like Spock's Beard, except
for maybe two short moments or so. Before you start pouting because
you are not getting another dose of flamboyantly bombastic symphonic
rock, however, and if you're willing to face the fact that D'Virgilio
has played with the likes of Kevin Gilbert, Tears for Fears, and Sheryl
Crow before, you might just be in for a delicious treat.
Trying to explain D'Virgilio's drumming prowess would probably come
across as nothing more than ludicrous to those acquainted with his work,
but assuring everyone out there that his songwriting and arranging capabilities
have the potential of virtually setting him up in the pantheon of popular
music artists who actually have talent and taste might be a bit more
surprising. This is a guy whose knack for coming up with touching ballads,
palatable R&B moments, and the unforced unexpected twist is adorned
with a heartfelt sincerity and a sympathetic enthusiasm that grasp the
listener immediately and make him feel glad for an entire hour. And
can the man sing!
It is not only that the soulful "Dream In Red" could play
on the radio and make one's friends ask who the hell is that, or that
the opening "The River Is Wide" brings in a hint of Spock's
Beard surrounded by Led Zeppelin-like acoustic strums, Southern-tinged
melodies, and a nicely locked groove. It isn't even the lyrical and
musical beauty of ballads such as "The Game" and "The
Water's Edge," or the cleverly used King's X influence on the great
tension building "Anything." It's the fact that this works
on every level, on every style, and on every aspect. Karma is
a coherent display of D'Virgilio's numerous influences and his ability
to immerse himself in them, absorb their rich essence, and exude that
richness in glowing streams of accessible music.
Fortunately enough, those surrounding Nick D'Virgilio have taken it
upon themselves to let anyone interested out there know that he has
released his solo album, which hopefully guarantees that this excellent
release won't pass by unheeded. Fans of accessible progressive rock
will surely be able to whet their appetite with the likes of "The
River Is Wide" and the lengthy three-part "Paying the Price,"
while those of less complex hearing tastes will most certainly be left
with plenty from where to choose. At any rate, for anyone who might
have had held reserves of buying this album, wondering if Nick D'Virgilio
has what it takes to create something good on his own
he does.
Big time.
-by
Marcelo Silveyra
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