
Marcelo:
  
Javier:
  
Luis :
  

Released:
June 2001
Style: Post-progressive rock
Similar artists: Kong
Record Label: Cuneiform Records
Produced by: Djam Karet
Mastered by: SAE Mastering

Country:
USA
Personnel:
Gayle Ellett - Electric guitar, mellotron, synthesizers, field
recordings, effects
Chuck Oken Jr. - Drums, percussion, synthesizers
Henry J. Osborne - Bass, percussion
Mike Henderson - Guitars, acoustic and electronic percussion, synthesizers,
field recordings, effects


Official
Website
Dutch
Djam Karet Fan Site
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Djam Karet - New Dark Age

1.
No Man's Land (4:43) 2. Eclipse of Faith (2:43) 3. Web of Medea (7:04)
4. Demon Train (2:56) 5. All Clear (8:31) 6. Raising Orpheus (6:56)
7. Kali's Indifference (2:28) 8. Alone With the River Man (8:03) 9.
Going Home (9:55) 10. Eulogy (2:13)
Total
Running Time: 55:26
Djam Karet is certainly not an obscure name in the fields of progressive
rock anymore. With a load of albums and years to its credit, the band
has often been referenced to as a cross-combination of King Crimson
and Pink Floyd, but that hardly does the band's style any justice. Djam
Karet is simply Djam Karet. There is no better way to describe the band's
sound, an eclectic range of instrumental atmospheres that run the gamut
from jagged progressive rock to jazzier elements of greater comfort
and include plain weird moments in between.
And with New Dark Age, the band continues to pursue its experimental
nuances in the way of slowly evolving instrumentals that range from
the spacey dissonance of "Web of Medea" to the stressful fusion
arrangements of "All Clear" without forsaking any coherence.
Furthermore, Djam Karet remains hardly shy to bizarre noises and samples,
which, combined with the band's uncanny ability for creating lengthy
thematic and pseudo-minimalist instrumentals, gives this album a uniquely
original musical perspective. One that surrounds the listener in layered
textures of sound that come floating out of the speakers and seem to
reach out for one in enticing waves of sound.
Credit must especially be given to the group's perfectly balanced instrumentation,
which will have a guitar line fading out while another one glides right
into the mix and thus creates a virtual legato feeling that subdues
the music of New Dark Age into a gentle and even flow. And while
it is true that some of the material found on the album, particularly
the demented groove of "No Man's Land," is progressive rock
immersed in a harsh tone, the general mood remains one of instrumental
reflection. Even the visceral guitar solos that keep appearing throughout
the record seem to interweave with the approach, just like the sparse
and atmospheric "Kali's Indifference" does.
You might be wondering why I didn't give the album a higher grade then.
Here's why: because something is amiss throughout the course of New
Dark Age; namely the lack of a certain element of surprise that
deceivingly appears to be there during the course of "No Man's
Land," but which soon fades into distant memory. The performance
is wonderful, the style unique, and the band is not pining away, but
New Dark Age just lacks that spark that etches music into one's
mind forever.
-by Marcelo Silveyra
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