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Pain Of Salvation - The Perfect Element Part I

1. Used
(5:23) 2. In The Flesh (8:36) 3. Ashes (4:28) 4. Idioglossia (8:29)
5. Her Voices (7:56) 6. Dedication (4:00) 7. King Of Loss (9:46) 8.
Reconciliation (4:24) 9. Song For The Innocent (3:02) 10. Falling (1:50)
11. The Perfect Element (10:09)
Total
Running Time: 68:03
Yet
another excellent release from Pain of Salvation, and there seems to
be no force able to stop these Swedes in their road to progressive metal
domination. While half the world was pretty much stuck trying to emulate
Dream Theater or Fates Warning during the last decade, Pain of Salvation
came out with a sound so unique that heads just had to turn, mine included.
The band somehow managed to throw subtle jazz influences, a definite
Faith No More hue, the virtues of progressive metal, and basically an
unbelievable amount of talent into the melting pot, and the result was
better than anyone could have expected. The Perfect Element, Pt.1
is no exception.
The concept album is so well crafted that singling out any highlights
would prove impossible, as the driving strength of "Used,"
the emotionaly charged gentility of "Morning on Earth," and
the latter's electrically intense reprise, "Reconciliation,"
all contribute to build levels of interest and suspense that permeate
the entire disc. Moreover, the record has everything one could ask for.
Long tracks, short tracks, all types of moods, intelligent and contemporary
lyrics, technique, feeling
you name it, it's there. A great deal
of this abounding excellence, however, is due to guitarist/vocalist
Daniel Gildenlow's theatrical vocals, which can be reminiscent of Faith
No More's Mike Patton as soon as of a wailing vocalist of the highest
calibre. Definitely no small feat.
Add to that the gorgeous work of guitarist Johan Hallgreen, who chooses
every note as a means of further impact and cleverly avoids any shredding
nonsense while gliding gracefully above tracks such as "Used"
and "Idioglossia," and the album is a must-have for any serious
progressive metal listener. Furthermore, with the excellent work of
drummer John Langell, bassist Kristoffer Gildenlow, and keyboardist
Fredrik Hermansson, things can only get better. What truly sets The
Perfect Element, Pt.1 miles above all contenders, however, is its
lyrics, which are as visceral and immediate as any can be and interact
so well with the album's music that both seem as though they were one.
If you have to choose between paying the local mafia for not breaking
your legs or buying this album, start learning how to use crutches.
You'll need them.
-by
Marcelo Silveyra
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