
Marcelo:
    
Javier:
   
Luis:
    

Released: May 4, 2001
Style: Space rock
Similar artists: Tangerine Dream, Tim Blake, Klaus Schulze
Record Label: Eternity's Jest Records

Country:
USA
Personnel:
Chet Santia - Bass, guitar, guitar synth, percussion
Jay Swanson - Keyboards, percussion
Paul Williams - Drums, keyboards, loops, samples, percussion
Stan Lyon - Stunt guitar, bass
Dave Wexler- Guitar


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Quarkspace - Spacefolds 7

1. Black Star Shining (8:11) 2. The Translight Limited (4:42) 3. Jay,
the Prog Boy (3:15) 4. Fissure (6:28) 5. Red Star Pulsing (6:06) 6.
Fujita (5:26) 7. Appliances of the Gods (5:16) 8. The Living Stone (4:48)
9. Green Star Shooting (10:59) 10. Chippertronics, Vol.1 (6:23) 11.
True Millennium (4:40) 12. Blue Star Glowing (6:16)
Total
Running Time: 72:30
Bring the
weirdest 3D space documentary you can find, a bag of popcorn, and an
extremely large soda. If you're into magic cakes, bring some of those
too, you're gonna need 'em. Then find yourself somewhere really comfortable
to sit on and put on a set of headphones that a hippie would have been
proud of and set the volume on high, as in REALLY HIGH. Or simply close
your eyes and feel your body being taken slowly away on an astral trip
through faraway nebulas and galaxies as Quarkspace's latest series of
space rock improvisation, Spacefolds 7, plays on.
Spacefolds 7 is an interstellar soundtrack of vast proportions;
a comprehensive voyage through space that flows through stardust, circles
around stars, and glides in and out of everywhere unabashed. Throughout
the course of the album, Quarkspace envisions richly textured atmospheres
and lush instrument ambience that would make the members of Tangerine
Dream or Hawkwind blush, all with an ethereal quality that can hardly
be described as anything but trippy. Swirling keyboards, swooping effects,
atmospheric guitars, and a stubbornly persistent bass soon become the
rule and continue to be so until the fourth star song and final album
track, "Blue Star Glowing," reaches its finale.
Now, you've got to remember something. Seventy-two minutes of spacey
improvisation and intergalactic atmospheres are bound to drive anyone
crazy if they turn out to be boorish, repetitive, or exhausted. Of course,
seventy-two minutes of the opposite will probably drive the listener
crazy as well, but in a good way, which is the case here. And from the
dynamics of "The Translight Limited" to the Fripp-defying
titled "Chippertronics, Vol.1," it all becomes a translucent
musical nebula that conceals surprises at every corner and gently unfolds
them as the seconds go by. Three words: far out man.
-by
Marcelo Silveyra
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